Category Archives: 1929

Avalon Casino Theatre

32ND ANNUAL SILENT FILM BENEFIT

Saturday, May 18 at 1:00 PM

AVALON CASINO THEATRE


Why Be Good

Colleen Moore in

“Why Be Good?”

Saturday, May 18, 2019 at 1:00 PM
Avalon Casino Theatre


Avalon Casino Theatre
217 Metropole Avenue
Avalon, CA 90704
Tel: 310-510-0179


Member Pre-Performance Program 12:00 pm
Doors Open for Non-Members 12:30 pm
Silent Film Benefit Begins 1:00 pm

TICKETS & MORE INFO


Our annual Silent Film Benefit is one of the world’s longest running celebrations of film from that era. Now in its 32nd year, the program features world-class musicians, dancers and a silent film historian. Held in the historic Avalon Casino Theatre, William Wrigley Jr.’s 1929 Art Deco Movie Palace, attendees will be treated to an authentic 1920s cinematic experience.  Colleen Moore stars in the 1929 decadent romantic comedy Why Be Good?.

 

 


NETHERCUTT JUNE 21-22
PURCHASE TICKETS
WED. MAY 22, 2019

Tom Mix "Sky High" Poster

Tickets available Wed. May 22, 2019 at 4pm
for the JUNE 21-22 SILENT CINEMA SHOW at the

Newly Refurbished NETHERCUTT
with Joe Rinaudo & Gary Gibson at the Moving Picture Machine
and Dean Mora at the Mighty Wurlitzer Organ
starring TOM MIX in the 1922 silent western adventure
“SKY HIGH”
Subscribe to The Newsreel and you will receive full details soon.

THE SKELETON DANCE, 1929

THE SKELETON DANCE, 1929
Walt Disney Silly Symphony

Warning: This film is not silent…that’s scary, isn’t it?

From Wikipedia:
The origins for The Skeleton Dance can be traced to mid-1928, when Walt Disney was on his way to New York to arrange a distribution deal for his new Mickey Mouse cartoons and to record the soundtrack for his first sound cartoon, Steamboat Willie. During a stopover in Kansas City, Disney paid a visit to his old acquaintance Carl Stalling, then an organist at the Isis Theatre, to compose scores for his first two Mickey shorts, Plane Crazy and The Gallopin’ Gaucho. While there, Stalling proposed to Disney a series of “musical novelty” cartoons combining music and animation, which would become the genesis for the Silly Symphony series, and pitched an idea about skeletons dancing in a graveyard. Stalling would eventually join Disney’s studio as staff composer.

Animation on The Skeleton Dance began in January 1929, with Ub Iwerks animating the majority of the film in almost six weeks. The soundtrack was recorded at Pat Powers‘ Cinephone studio in New York in February 1929, along with that of the Mickey Mouse short The Opry House. The final negative cost $5,485.40.

In order to attract a national distributor for the Silly Symphony series, Walt and Roy Disney arranged for The Skeleton Dance to run at the Carthay Circle Theatre in Los Angeles and at the Fox Theatre in San Francisco in June 1929, while Pat Powers arranged for it to play at New York’s Roxy Theatre from July. In early August, Columbia Pictures agreed to distribute the Silly Symphonies, and The Skeleton Dance played as a Columbia release in September at the Roxy, making it the first picture in the theater’s history have a return engagement.

In February 1931, The New York Times reported that the film had been banned in Denmark for being “too macabre”.

In 1994, The Skeleton Dance was voted #18 of the 50 Greatest Cartoons of all time by members of the animation field.